FDS 366T OMNIDRIVE LOUDSPEAKER MANAGEMENT ( DLMS )

One FDS-366 can drive a true stereo 3-way system, or 3 bi-amp outputs for monitors. Add more units and MIDI slave linking to make stereo 4, 5 and even 6-way systems. Typical applications: Stereo 3-way. Stereo 2-way plus sub from input C. Triple Bi-amp for stage monitors, with delay and EQ. Dual tri-amp for stage monitors. 96kHz Studio monitoring systems. LCR Monitoring systems ( post-production) . 6-way systems. 4-way plus 2 full range outputs with separate delay and EQ. 6-way Zoning ( full range outputs, giving delays, EQ and limiters on all zones ) WHISEWORKS - * NTM™ and WHISEWORKS - Neville Thiele Method™ are trademarks of Precision Audio Pty.Ltd " The new filters allow me to put more power to the devices without fear of overload or over-excursion. Once adjusted, sounds better than standard filters. The system seemed louder and clearer. We were setting off alarms in the car park! " Ferrit, Promix/ Electrotec, Las Vegas, Nevada, USA Other applications are also satisfied, such as zoning to six discrete areas using full range or band-restricted outputs. As a mono sum of all three inputs is available, the FDS-366 will find favour with LCR post-production monitoring systems where a mono sub output is required. A stereo AES/ EBU digital input also means that the FDS-366 is an ideal product for studio monitoring applications. BSS have incorporated the very latest digital technology and DSP algorithms to provide the COMPACT plus with a truly astonishing audio performance. The latest generation of 24-bit converters with carefully engineered support electronics provides a dynamic range in excess of 112dB ( unweighted) without employing ' massaging' techniques that could have side effects. Using a 96kHz sample rate further enhances the sonic performance of the FDS-366. The advantages of this higher rate mean a more natural and open sound thanks to a 40kHz bandwidth and improved filter responses that are possible with the higher Nyquist frequency.